horror
Despite the lack of background or explanation for the occult item at the center of “Talk to Me,” I found it relatively easy to suspend my disbelief and become caught up in the story’s momentum.
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Technology-driven horror narratives are ubiquitous these days: Red Rose has an authentic look that makes its creepiness distressingly plausible.
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Spiral is content to be a satisfying thriller that mechanically delivers as its murderous pace picks up.
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Director Ben Wheatley has a knack for creating characters whose anti-social behavior is shocking.
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Marianne is one of the slickest horror series I’ve seen on Netflix.
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A genre debut as self-assured as Luz is always exciting.
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Border memorably skims the border between reality and the supernatural, examining the irreconcilable division between the civilized and the perverse.
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Dark is not a German version of Stranger Things; its historical vision is distinctive.
Read MoreA terrifically fun — when not spine-tingling — exhibition of horror and sci-fi memorabilia.
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Film Commentary: October — A Month of Horror, Multiplying
I love subtlety, and beauty, and trash, and terror, in equal measure.
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