fiction
You are hardly aware of the historical facts. Kate Grenville internalizes them so completely in her novel there is not a sentence that “stinks of history,” as a friend of mine once said about whole historical fiction genre.
In spare, exact prose Cristian Comencini lets this story unfold against an Alpine setting that is so vivid it, too, becomes a character in this strangely compelling novel.
Nobel laureate Orhan Pamuk’s new museum, named for and based on his 2008 novel, The Museum of Innocence, has opened in Istanbul.
Author Margo Livesey has pulled off a considerable literary trick: a page-turner that is also a moving, realistic, subtle, and eminently wise coming-of-age novel.
“The O’Briens” is a good sink-your-teeth-into read that explores the capricious nature of destiny with grace and humor and shows great compassion for its characters.
Even though she covers herself with demurely crossed arms, her gaze could burn holes through fabric. If it looks like the artist had a predilection for strong, bosomy girls, well, there’s a reason for that.
While sound is certainly important, and language in the proper hands has its own music, syllabic harmonies need not be trumpeted as though they were the foundation of good prose.
Italian writer Niccolò Ammaniti usually writes with an unadorned style about moral predicaments of the young in small-town Italy. “Me and You,” a slender effort in all respects, covers this ground as well, with the difference that fourteen-year-old protagonist Lorenzo Cumi is from an affluent Roman family.
Although he has set himself an ambitious task with all that is happening in “The List,” Martin Fletcher has complete command of this material and has created a complex novel that is also a good thriller.
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