David Greenham
You need to hear this play. Especially if you are white and already “know” Othello. Listen again (and again) and prepare to question old assumptions.
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The show is made all the more powerful by the fact that we’ve now spent 12 months enduring Covid and four years of science denial and “alternative facts.”
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This is a very effective political drama, a relevant warning about what social critic Chris Hedges calls the formation of “corporate totalitarianism.”
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Amir Nizar Zuabi’s engaging drama is a hopeful testament to communication and forgiveness.
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Our theater critics pick some of the outstanding productions of a year truncated by COVID-19.
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A 50th anniversary is a wonderful milestone, and I congratulate the Revels for looking back and huzzahing the occasion as they have.
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Underground Railway Theater has a runaway hit. You’ll never see a show quite like it. It’s bold, ridiculous, and very risky.
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The New Rep production of Hair is acceptable: if the intent was to look back at a now-dated musical that once caused a stir.
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The Effect is about the brain, pharmaceuticals, and how little we know about each.
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Our theater critics pick some of the outstanding productions of the year.
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Arts Remembrance: In Memoriam — Tom Stoppard