Betsy Sherman

Arts Reconsideration: The 1971 Project — Celebrating a Great Year in Film (Part Three)

May 29, 2021
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More homages to 1971’s magnificent bursts of cinematic iconoclasm.

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Film Review: “Poly Styrene: I Am a Cliché” — Courage and Artistry Relevant to Our Moment

May 10, 2021
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The documentary strikes a remarkably rich vein, covering not only music, fashion and a late-1970s social critique, but also matters of race, class, gender, mental health and spirituality.

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Film Review: 1930’s “Ingagi” — An Elusive Beast from the Dark Shadows of American Cinema Emerges

March 22, 2021
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In its day, Ingagi raked in the crowds with a promise of weird African animals and “wild” women, and a teasing of bestiality.

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Film Review: “News of the World” — An Intimate Two-Shot of a Western

December 31, 2020
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The filmmakers use their story to point towards a way to help us navigate through our own polarization; it has something to do with each of us widening our perspective to take in more than just our immediate experience.

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Arts Feature: Best Movies (With Some Disappointments) of 2020

December 21, 2020
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Our demanding critics choose the best films (along with some disappointments) of the year.

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Film Review: “White Riot” — The Superb, Sadly Relevant, Story of Rock Against Racism

October 19, 2020
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Director Rubika Shah ends her film on this high note, but no one watching could conclude that the struggle is over

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Film Review: “The Ghost of Peter Sellers” — A Riveting Postmortem

May 24, 2020
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The documentary has a “why me?” element to it, with a dark comic edge, but it isn’t a pity party.

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Film Review: Alice Guy-Blaché — One of the First, if not the First, Makers of Narrative Cinema

January 13, 2020
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A fuller accounting of the creative contributions of women to the film industry in its early decades is still fighting for a place in mainstream awareness. The documentary Be Natural is a valuable battering ram in that fight.

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Film Feature: Best Movies (With Some Disappointments) of 2019

December 23, 2019
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Our demanding critics choose the best (and the most disappointing) films of the year.

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Film Review: At BUFF-o-WEEN — The “Blood & Flesh” of Al Adamson, King of the Shoestring Budget

October 16, 2019
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“They were pieces of shit when we shot ‘em, but later on they became relics.”

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