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An Arts Fuse regular feature: the arts on stamps of the world.
Read MoreSome readers may be surprised to learn that a high percentage of the men and women who spend time in solitary confinement have been diagnosed with severe mental illness.
Read MoreMany of us think of Harriet Tubman as a lone heroic figure. But the truth is she was never alone; she did things that other people did not do.
Read MoreIn Broadway revivals, Topdog/Underdog is absolutely riveting, while Death of a Salesman feels forced and unconvincing.
Read MoreIndefinite argues that legitimate change in the way this country deals with people accused of breaking the law would have to begin with the recognition of their humanity.
Read MoreWhen should a play be labeled dated and consigned to the junk heap of time? No playwright is safe from the charge of being called passé: one reviewer’s breath of fresh air from the past is another’s antiquated wheeze.
Read MoreA sensitive folkie may tell you to get beyond your negativity; these guys tell you to “take all that bullshit and put it in the dumpsta.”
Read MoreFuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…
Read MoreStuffed with familiar themes from coming-of-age classics like “The Summer of 42,” “Ferris Bueller’s Day Off” and “Moonrise Kingdom,” “The Way, Way Back” is a long stretch from its predecessors, but the film is salvaged by a terrific cast.
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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