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In “The Flick,” Annie Baker creates youngish characters that my students at Boston University would call “relatable,” exploring how self-delusions, stereotypes, and fear keep them from connecting in a meaningful way.
Read MoreThe crowd at the Paradise Rock Club was awful, and whether Jake Bugg noticed this or not, it caused him to turn in a pretty mediocre performance.
Read MoreBy Helen Epstein After the Revolution by Amy Herzog. Directed by Carolyn Cantor. Staged by the Williamstown Theatre Festival, Williamstown, MA, July 21 through August 1 (closed). Long before the invention of psychotherapy, long before writer William Faulkner wrote “The past is never dead. It is not even past,” the Greeks mined family history for…
Read MoreBy Thomas Samph This month’s music selection is all about trying something new. One of my selected artists recorded her entire album in a church. One guy kissed another guy on stage at an awards show that was on live TV. And another group brings together nine solo acts under one dirty name that has…
Read MoreAt the invitation of AF editor Bill Marx and at the risk of further delaying my observations on the New World Jazz Composers Octet, I’m straying from the jazz beat to offer some words on ArtsEmerson’s presentation of Aftermath at the Paramount. The regrettably short run of this New York Theatre Workshop production (October 27–31) will…
Read MoreIn BUG, a deranged veteran fights for his “freedom” against phantoms in a hermetically sealed echo chamber that he is willing to blow up for the good of mankind. As The Tea Party would have it: Either change the government or shut it down.
Read MoreIt’s entertainment genius to turn our new normal into something topical and terrifying.
Read MoreAdam Sherman, Cambridge-based musician, voice teacher, and vocal coach never went away.
Read MoreThe Lodge suggests that our money, social privilege, and carefully-crafted stability are not enough to keep the wolves from the door, or to protect us from the dangers that lurk indoors.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?