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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreBen Jonson is one of the great unknown geniuses of the English theater and of western literature. Ian Donaldson’s new biography of the playwright/poet successfully makes the case that he deserves to be better known.
Read MoreEven taking into consideration my several objections, this Faust is one of the most accomplished and intriguing opera releases of recent years.
Read MoreHilmes’ fascination with Liszt’s public notoriety stands front-and-center in this biographical effort.
Read MoreOur demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.
Read MoreThe new “Portrait” package contains five hours of music by Bizet that is mostly unknown to music lovers and music lovers. Plus one of his best operas, a one-act written just before “Carmen”: 1872’s “Djamileh,” which is set in a harem.
Read MoreHistorian Tsuyoshi Hasegawa’s towering achievement is to show that, while Nicholas II was betrayed, he lost his throne because he had made it impossible for anyone who loved Russia to be loyal to him.
Read MoreIt’s no wonder poets have been drawn to write about Guyer and Twombly’s work. We are carried away by an art that is always immediate, hic et nunc, but elsewhere too.
Read More“Every record can have its own unique sound, depending on who has owned it, who’s touched it, where it’s been. That’s really important to me.” This movie makes you realize that these things should be important to you, too.
Read MoreElizabeth Harrower’s In Certain Circles is a stunning novel about class and marriage and power; Can Xue’s The Last Lover is a tedious surrealistic farce.
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