Search Results: quotes
After reading this scholarly and accessible biography, I am convinced that Storm Jameson’s life is a must for anyone fascinated by the history of women writers in the 20th century.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreFor William Kentridge history accrues, falls dead, is born, washes up, piles up, and may be artfully arranged, but the most powerful place that this accretion might happen is in the artist’s studio, which is a metonym for the human mind.
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An opera from Fascist Italy, Gino Marinuzzi’s Palla de’ Mozzi receives a splendid world-premiere recording. Should you listen despite its pedigree?
Read MoreArts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up in the next week.
Read MoreJames Longenbach’s ear for the nuances of diction, tone, stress, and the material aspects of poetry is so good, and his grasp of context and biography so assured, one wonders why the essays so often tie themselves into semantic and logical knots.
Read MoreWhether you’re a Jungian or a Freudian, think Jung was a genius or charlatan, or even if you’re someone who’s never given much thought to psychotherapy, the exhibition on the “The Red Book” at New York City’s Rubin Museum of Art (which runs through February 15) is worth a visit. THE RED BOOK by C.G.…
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What exactly did the Duke’s music symbolize to Russell’s shifty characters, two upwardly mobile lowlifes more anxious to fleece the world than fall in love?
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This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
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