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FilmStruck’s streaming service isn’t just an archive, it’s also an opportunity to reframe and refresh.
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Marvelously acted and directed, First Cow is a masterpiece that dramatizes how struggle and adversity are part of the human comedy.
Read MoreThe Whistler in the Dark production does right by the gaunt power of “Vinegar Tom” — if only dramatist Caryl Churchill hadn’t served up such a tidily edifying coven of alleged sorceresses.
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The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
Read MoreSleeping Weazel stages a gutsy production of an angry, ugly, and essential history lesson.
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Bertrand Mandico’s “She is Conann” left me buzzing, high on a euphoria of aesthetic excess that represents the true legacy of New Queer Cinema.
Read MoreJazz Album Review: The Complete Massey Hall Recordings — The Legendary Concert Never Sounded So Good
I heartily recommend this Craft Recording, even if (perhaps especially if) you have owned the LP version from (almost) a half century ago.
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Mary Bevan, silvery soprano beloved in Boston, enchants anew in one of Handel’s most frequently performed and recorded operas.
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Since I live in Boston, and was seeking out the farther reaches of the outsider art world, I was happy to discover three stellar galleries in Massachusetts and Vermont.
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There’s still room for Brandon Cronenberg to grow as a horror director, but Infinity Pool should make his father proud. It’s a sensory nightmare of bodily dissociation and high class decadence that signals a promising start to 2023.
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