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One thing that gives Marc Maron’s comedy a certain punch is that he is an equal-opportunity crank.
Read MoreIsabelle Faust makes Arnold Schoenberg’s thorny Violin Concerto sing; Mariss Jansons lends heft to Saint-Saëns’ Symphony no. 3, and John Wilson continues to be your go-to conductor for Erich Wolfgang Korngold.
Read MoreThe Truth is simply a delightful film all around.
Read MoreTo the extent that Antiracist Baby helps to define and explain antiracism succinctly, it may be useful for older kids and grown-ups.
Read MoreConceptual and abstract as David Byrne can often be, he’s one art schooler who isn’t afraid to get down.
Read MoreThe Ash Family is a full-color illustration of how the modern world leaves people vulnerable to radical ideas.
Read MoreJosh Begley, in a mere six minutes, demonstrates how impossible the notion of a border wall is, from an engineering and construction perspective.
Read MoreDel Toro creates a visually intriguing world, but the story’s premise is too farfetched to work.
Read MoreThe San Francisco Symphony delivers performances of chamber-like sensitivity and remarkable transparency.
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Film Commentary: “Between the Lines” Eulogizes the Beginning of the End of Boston’s Alt-Weekly Era
Even 42 years ago, disillusionment was setting in among the workers at alt-weekly papers like The Real Paper and The Boston Phoenix.
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