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Are the 16-year-olds in the deep South capable of such a challenging, cumbersome construction task? Especially with the school year coming close to an end?
Read MoreOn Sunday, the Boston Symphony Chamber Players celebrates its 50th birthday with a typically brilliant program, one that features four world premieres.
Read MoreThe Anonymous 4 went through their medieval and early Renaissance paces, vibrato-less but historically informed and performed.
Read MoreFilled with great insights, musical and other, Phil Grabsky’s wonderful documentary on Beethoven depicts “a man of huge intellect and huge heart.” In Search of Beethoven, a documentary by Phil Grabsky (UK, 2009, 139 min). At the Museum of Fine Arts, Boston, MA, Wednesday Jan. 13 at 3:05 pm, Thursday January 14 at 5:10 pm.,…
Read MoreBy Caldwell Titcomb Stephen Sondheim has written the music and lyrics of at least a half dozen of the twentieth century’s greatest works for the musical theater. One of them is – to provide its full title – Sweeney Todd: The Demon Barber of Fleet Street. It has now been turned into a movie, which…
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It didn’t take long for this eminently readable and bingeable collection to draw TV adaptation attention.
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During a period when we are facing a ferocious pandemic, the biggest Civil Rights movement since the ’60s, and the possibility of flying snakes, it is the perfect time to remake the cheery The Baby-Sitters Club.
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This album lacks the desperation, the immediacy, the sheer power that made Sleater-Kinney essential in its original decade.
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Taken together, these four pieces showcase a composer whose handling of the orchestra is expert and whose sense of form, in these works at least, feels unerringly right.
Read MoreTwo great tenor discs have recently been released
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Holiday Commentary: Making Room for the Stranger