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Film Review: “The Last Blockbuster” — A Nostalgia Trip to Video Heaven

March 24, 2021
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Could it be, I dream, that a resurgence in local video shops much be in the cards, like the vinyl record stores that are popping up everywhere now?

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Classical Album Review: The Claremont Trio’s “Queen of Hearts”

May 21, 2022
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What might be the most impressive feature of this disc: everything on it was written for The Claremont Trio since 2008. The album stands as a shining testament to their adeptness as an ensemble as well as their curiosity as musicians.

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TV Review: “Mad Men” Finale — Read the Art?

May 19, 2015
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My conclusion is that Mad Men is abstract, like some of the art in the series.

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Theater Review: A Stimulating “Tea for Three”

September 19, 2013
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Each different personality and monologue tells essentially the same story under their varying details, a thrice-told tale of wifely loyalty in the face of political husbandry.

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Music Review: A Warm Homecoming for Singer/Songwriter Paula Cole

August 25, 2013
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Singer/songwriter Paula Cole’s musical and personal journey has been a long, sometimes painful hejira.

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Concert Review: “The Monkees” — Pop Heavyweights Still Guaranteed to Raise a Smile

May 24, 2014
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Michael Nesmith’s proto-Americana songs had aged the least—listen to the jangly guitar and stream-of-conscious lyric on “Tapioca Tundra” and you’d swear that was where R.E.M. got the idea.

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Film Review: “Summer 1993” — Stolen Childhood

June 17, 2018
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Summer 1993 is provocative, both for the raw depth of the emotions it evokes and the directness of its storytelling.

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Music Review: The Beguiling Vocal Music of Ralph Vaughan Williams

October 5, 2010
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The Cantata Singers, a choral group highly esteemed for their programming and superior music making, has devoted the past few years to examining the choral music of one composer per season. The three previous composers to receive this lavish attention were Kurt Weill, Benjamin Britten, and Heinrich Schütz. This is their 47th season and their…

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Opera Review: ‘Tales of Hoffmann’

November 18, 2008
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By Caldwell Titcomb The scientist Spalanzani (tenor Neal Ferreira) strikes an unlikely deal with the nefarious inventor Coppélius (baritone Gaétan Laperrière) in the BLO’s fine production of “Tales of Hoffmann.” One of history’s most famous and beloved French operas wasn’t written by a native Frenchman. “The Tales of Hoffmann” came from the pen of Jacques…

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The Arts on the Stamps of the World — May 5

May 5, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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