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This was a stirring, thought-provoking, and, ultimately, moving reading of Shostakovich’s Seventh Symphony.
Read MoreAt least waiting for Andris Nelsons to take over the orchestra is done. And we don’t have to bide too much time before we get to hear more from him: his first subscription series with the BSO kicks off on Wednesday.
Read MoreDirector Ben Wheatley has a knack for creating characters whose anti-social behavior is shocking.
Read MorePianist Murray Perahia’s return this weekend, with Schumann’s A minor Concerto, seemed tailor-made on paper: he’s one of the world’s great chamber musicians and this concerto plays to all his strengths.
Read MoreApart from a few weak elements, GBS’s Calendar Girls is a well-acted, well-staged comedic romp filled with wit, warmth, and genuine insight.
Read MoreThe opera repertory is so much richer than what gets staged nowadays; many of the most exciting recordings that came my way are of somewhat or entirely forgotten operas from past eras.
Read MoreEgon Wellesz’s Weimar era critique of the cruelty of nations that are victorious in war still rings hauntingly true.
Read MoreIt’s hard to grasp how Jonathan Lethem assimilated all this material — historical and fantastic — and gave it new narrative life in Dissident Gardens, except by granting, to start with, his special genius for absorption.
Read MoreA world-premiere recording of Siroe, King of Persia makes it clear that Leonardo Vinci (1690-1730) was as fine a craftsman as the painter with a similar name.
Read MoreSurviving Death’s balance between personal experiences and scientific theories makes the series unexpectedly provocative.
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Holiday Commentary: Making Room for the Stranger