Search Results: quotes
Semyon Bychkov supplies an extraordinarily well-played account of Mahler’s Third; Paavo Järvi’s version of Mahler’s Fifth avoids the more idiosyncratic excesses of Leonard Bernstein’s superb 1987 Vienna recording.
Read More
Franz Peter Zimmermann’s rendition of Stravinsky’s Violin Concerto overflows with style and character; James Ehnes’ version is generally warmer and more relaxed, though it doesn’t lack for rhythmic zip.
Read MoreThe Emerson Quartet is as restless and curious as ever; pianist Simone Dinnerstein is featured on a treasure of a disc.
Read MoreEscape the cold with some good live music this February. These are the shows I would be going to if I had the time and resources. While some fit into the cultural zeitgeist more than others, I predict that all these shows will rule. I’ll show you the door; you take the trip. And say…
Read MoreSo what’s the critic’s function when the music itself doesn’t have critical mass with the public? Surely not cheerleading or hype. But surely not nose-in-the-air either. By Steve Elman. Well, some editors are paying attention. There were two London Jazz Festival (LJF) reviews, occupying a half page in the Times this a.m. Maybe the reason…
Read MoreOverall, with Transitions Michael Nicolas proves himself a major cellist of his generation.
Read MoreThe Golden Dragon Acrobats’ Cirque Zíva is part dance, part acrobatics, and 100 percent spectacle.
Read MoreBy Thomas Garvey It hit me about halfway through the second act, when a shirtless Joe Wilson, Jr. slid down a rope and began to work a truly spectacular set of pecs: “Ain’t Misbehavin’” could be the horniest show I’ve ever seen in Boston. And Wilson is the horniest thing in it – in fact,…
Read More
Arts Reconsideration: “Pinocchio” at 80
Now that the real live boy is an old man, how’s he holding up in 2020?
Read More