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Jazz isn’t an orthodoxy, a religion, a form of faith healing, or a tribal rite — you don’t have to be in the room with it the moment it happens to reap its benefits.
Read MoreTwo recent productions of Shakespeare, one a heralded London staging at the Donmar Warehous heading to New York in April, the other an Actors’ Shakespeare Project presentation in Davis Square, provide examples of the strengths and weaknesses of tackling the Bard without frills.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Ludwig Hohl belongs in the line of such lucidly contentious thinkers as Karl Kraus, Pascal, and Lichtenberg, commentators whose writing oscillates between the traditions of literature and philosophy.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreThe Conservatory’s Contemporary Improvisation program is one of the best things we have in New England music, and if you’ve lived for any length of time in the Boston area without attending one of its concerts, you’ve missed an important experience.
Read MoreChick Corea’s “The Continents: Concerto for Jazz Quintet and Chamber Orchestra” is filled with tuneful melody, shows off some superb playing by the soloists, breaks new ground in a number of ways, and achieves nearly all of its ambitions.
Read MoreChildren’s Book Reviews: Stories for Kids about Empowerment, Protest Movements, and Multiculturalism
A trio of books for kids about combating injustice.
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Ruby Rose Fox’s artistic/political mission with Salt is clear: the singer wants to look back at and revamp the radicalism of the ’60s.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read More
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