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This death trip romance is powerful, weird, and intoxicating — until its final scenes.
Read MoreWhy do such a high number of significant contemporary composers hail from Iceland?
Read MoreIf there is such a thing as upbeat melancholia, then Jens Lekman has got it down pat.
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In its efforts to cram so much information into so small a space, the narrative becomes unfocused.
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Heartwarming themes of love lost and the emotional power of music are undercut by a script constructed for the sake of dramatizing ideas rather than characters.
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The Town and the City Festival honors the “spirit of [Jack] Kerouac, a celebration of exploration, discovery, love of life, those things that he wrote about.”
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Two albums, from a late master and a newbie, are notable additions to the current wave of introspective solo piano excursions.
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Considering his loopy career and also his bumpy off-screen life, Nicolas Cage seems neither ashamed nor apologetic about how it’s all gone down.
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Holiday Commentary: Making Room for the Stranger