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For a movie starring a kid, this one is adroitly crafted and goes easy on the treacle.
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This seven-song, hour-long release, drawn from three nights at the fabled 1369 Club, is, in a word, sensational.
Read MoreIn terms of composition, the songs on “Kveikur” are structured more straightforwardly than those on “Valtari,” but Sigur Rós remains determined to deny the listener the grand post-rock climaxes.
Read MorePianist Murray Perahia’s return this weekend, with Schumann’s A minor Concerto, seemed tailor-made on paper: he’s one of the world’s great chamber musicians and this concerto plays to all his strengths.
Read MoreWhen this version of Pippin hits New York, it will be a welcome alternative to the trend among many of the current Broadway musicals to demote dance elements to the background.
Read MoreSet in the beginning of the “Dirty War” of Jorge Rafael Videla’s military junta in Argentina, a period characterized by assassination and disappearance, “Kamchatka” is a superb novel that refracts public, political events through the sensibilities of everyday life. Kamchatka by Marcelo Figueras. Translated from the Spanish by Frank Wynne. Black Kat, Grove/Atlantic, 311 pages…
Read MoreThis year’s theme, “Jazz: A Peace Supreme,” is a bit diffuse—and so is the roster of performers, headlined by drummer Billy Hart and vocalist Al Jarreau.
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It’s not a bad time to be performing back-to-the-boogie heavy metal music anywhere in the world.
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The Half-Light is a play about ghosts that, while offering intimations of mortality, ends up exuding a charming and infectious romantic spirit.
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Colin Carr supplied an extraordinary performance of Bach’s Six Cello Suites.
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Holiday Commentary: Making Room for the Stranger