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By Ken George December 19th, 2005 Given that many American museums fear controversy and distain art that lacks any commercial sex-appeal, it should come as no surprise that contemporary Palestinian art is hard to find. Thankfully, a smattering of shoe-string galleries across the country are accepting the challenge.
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Korean writer-director Kogonada’s meditation on life and how it’s lived is dreamy, haunting, profound, and deeply moving.
Read MoreThe big “destination” jazz festivals are major events, but aficionados making vacation plans will be missing out if they don’t at least take a look at the musical offerings of the smaller festivals.
Read MoreClaude Lanzmann is a great raconteur who’s honed his narrative skills as a veteran journalist. His memoir is exuberant and provocative at its best; bombastic and superficial at its worst.
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If life among these four characters risks being so monotonous over the course of an hour and 45 minutes, just imagine what it must have been like to endure months of lockdown before a vaccine became available.
Read MoreConsider these few notes my handing The Porcupine of Mind off to you — you read it, you write about it, then we’ll come back and talk.
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You will come away impressed by Patricia Lockwood’s skillful literary play — enjoy an escape from your own Internet miasma, and then be affected by a powerful contrast to it.
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Both galleries have successfully paired photographers who work in parallel idioms and who, through simple visual details, deliver a vivid sense of place tinged with memory and nostalgia.
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As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Jazz Album Review: Abdullah Ibrahim’s “3” – Meditations on a Legacy
A new release from Abdullah Ibrahim adds almost 100 minutes to a legacy of paramount importance to jazz, to world music, and to our understanding of a life lived in art.
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