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By Ken George December 19th, 2005 Given that many American museums fear controversy and distain art that lacks any commercial sex-appeal, it should come as no surprise that contemporary Palestinian art is hard to find. Thankfully, a smattering of shoe-string galleries across the country are accepting the challenge.
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As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Read MoreFuse dance critics pick some of the outstanding performances/events of the year.
Read MoreClaude Lanzmann is a great raconteur who’s honed his narrative skills as a veteran journalist. His memoir is exuberant and provocative at its best; bombastic and superficial at its worst.
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A new documentary bares (almost) all about stripper-actress Tura Satana.
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
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Both galleries have successfully paired photographers who work in parallel idioms and who, through simple visual details, deliver a vivid sense of place tinged with memory and nostalgia.
Read MoreLast Saturday, poet Philip Levine died at the age of 87 in Fresco, California. Here is a reprint of an Arts Fuse appreciation of the writer, originally posted in May of last year.
Read More“I think a lot of people around town are fairly aware of the Red Sox’s checkered history in terms of race.”
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Jazz Album Review: Abdullah Ibrahim’s “3” – Meditations on a Legacy
A new release from Abdullah Ibrahim adds almost 100 minutes to a legacy of paramount importance to jazz, to world music, and to our understanding of a life lived in art.
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