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The Idea of Prison Abolition is a worthwhile book, but Dr. Shelby’s case, philosophically strong as it might be, is not very likely to convince prison abolitionists.
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Europa Galante is small enough to make touring financially viable, yet large enough to successfully undertake “larger” works in a variety of venues.
Read MoreGeorge C. Wolfe’s 1986 collection of vignettes that spoof and celebrate black stereotypes occasionally plays like reruns from the ’90s TV show In Living Color.
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We need more serious, informed, and diverse voices evaluating and reporting on the arts at a time newspapers and magazines are cutting back and/or dumbing down their arts sections.
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Is it possible to reclaim a marginalized legacy? And how do you step up to take a seat at the table when your history has been neglected and forgotten?
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Violinist Viktoria Mullova supplies one of the year’s most programmatically-cohesive and thoughtfully-executed albums.
Read MoreThis was probably the loudest, rockingest Brian Wilson show I’ve ever seen.
Read MoreThe Lyric Stage Company’s thoroughly enjoyable production more than does “Into the Woods,” Stephen Sondheim’s un-Disneyfied version of fairy tales, justice.
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Perhaps the book’s most impressive accomplishment is to make a kind of systematic case for Leonard Bernstein’s larger compositional output.
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All the Colors of the Dark and The Case of the Bloody Iris are underrated giallo gems worth seeking out, representing not only the best of the genre, but sex symbol Edwige Fenech’s onscreen magnetism at its strongest.
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Holiday Commentary: Making Room for the Stranger