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It happens. Podcast producer Lucas Spiro messed up the audio for this episode —but he managed to put this together so you wouldn’t have to go without our sweet, sweet content.
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Three sure-handed debut movies at this year’s Sundance Film Festival, including a documentary directed by Lucy Lawless and features from Thea Hvistendahl and Jack Begert.
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Despite its title, this YA novel would be best described as an exercise in magic realist satire. Those looking for heaping helpings of the affluent will be disappointed.
Read MoreJason Anick, on violin and mandolin, and Jason Yeager, on piano, showed off just how exhilarating it can be to kick down musical walls.
Read MoreTwo new albums from BMOP Sound reflect the considerable artistry and vision of Gil Rose and the Boston Modern Orchestra Project.
Read Moreby Bill Marx The schizophrenia is instructive if somewhat dizzying. At the Calderwood Pavilion, the Huntington Theatre Company kicks off its season with “The Atheist,” a cynical exercise in scatological anti-heroism about a sleazy reporter who blackmails his way to fame. On its main stage at the Boston University Theater the HTC wallows in PG…
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The French chamber orchestra Divertimento’s debut recording, which includes “classical” and “folk” tracks, is enchanting and often thought-provoking.
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Like the novel it is based on, “Eileen” eventually becomes a morally ambiguous, and twisted, noirish mystery.
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At times, Laurel Hell’s withering fatigue is directed at the clash between commodification and art.
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“As artists, it’s our obligation to keep going. I really believe we have to push for the world to open up again.”
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?