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In the spirit of revisiting this unsung indie classic, here’s an interview the critic did with director Nancy Savoca in 1993, when Household Saints was part of the Boston Film Festival.
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A commentator on Macroblank’s Bandcamp page makes this telling assertion: “AI is Macroblank. Macroblank is AI.”
Read MoreThe decisions William Kentridge makes in his minute to-ings and fro-ings are akin to the decisions a poet makes as she works her measure over and over again.
Read MoreFrom Significant Other’s opening moments, it is clear that this smart and heartfelt script is in very capable hands.
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Now more than ever, “the people,” of all ages, want Queen. How lucky we are that Lambert, May, and Taylor are willing and able to deliver.
Read MoreA Painter of Our Time is a gorgeous rumination on art, love, sexuality, revolution, capitalism, exile, propaganda, politics, human nature, and society.
Read MoreBill Maher’s once robust contrarian streak has shriveled over time.
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The Everly Brothers’ close harmony work was so sinuous it sometimes seemed close to witchcraft.
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Do these “four late nineteenth-century visionaries” still speak to us?
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Arts Commentary: The Oscars 2022 — No Longer So White, But Still Not So Hot
It was soon clear what Oscar was after: two separate younger demographics — one with plebeian cinematic tastes, the other with hip politics.
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