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The struggle is to define what the problem is – and to allow the questions to have big, destabilizing, and more honest answers.
Read MoreThe Williamstown Theatre Festival’s captivating staging of “Animal Crackers” provides two hours of great fun and near-perfect summer theater for the entire family.
Read MoreIn his performances, Philip Seymour Hoffman was able to give enormous depth to the loners, the scoundrels, the lost, the villainous, and the heartbroken.
Read MoreI am one of the judges for the Best Translated Book Award (fiction division) sponsored by Three Percent. The five finalists will be announced in New York on February 16th. Three Percent honcho Chad Post needed help to meet his goal of posting a commentary on each of the 25 volumes on the BTB’s fiction…
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This set proves Monty Alexander a more varied pianist than one might have thought. The Ellis Marsalis album is a final gift from one of America’s treasures.
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A genre debut as self-assured as Luz is always exciting.
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It’s a simple and formulaic premise: a boy with a single mom and an old widower become soulmates. But Driveways transcends cliché because of its strong direction and performances, especially from the late Brian Dennehy.
Read MoreThe Malden resident’s new album is particularly impressive under the circumstances — he suffered a major stroke in January 2016.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Echo in the Canyon is a sublimely moving documentary celebration of a nonpareil moment when, a half century ago, the Southern California scene boasted giants of music.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner