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In “Megalopolis,” we have Francis Ford Coppola, Titan of Cinema, unleashing his undiluted meditation on Roman History, US History, Political Rivalry and Cooperation, Urban Planning, Technology, Love, Marriage, etc.
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Asteroid City is hard to pin down, largely because it holds its ideas about nostalgia and grief at arm’s length.
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A noteworthy recording of Ernst von Dohnányi’s Symphony no. 1; as usual, Harry Christophers and the Handel & Haydn Society play Haydn with their customary elegance and character; a celebration of British composer Eric Coates – his music’s impossibly fresh tunefulness, striking progressions, and vividly idiomatic orchestrations.
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Jack Black and Kyle Gass were happily living out their nerdy, rockstar dreams — and their fans were loving it.
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The Ruskinian mantra of “truth to nature” was eventually upended by the development of digital imagery and the agile manipulations of Photoshop.
Read MoreThe stellar BEMF team whips up a holiday confection that’s worth catching year after year.
Read MoreHow can you act sanely when your country is brazenly committing genocide? Many of us didn’t.
Read MoreOf all the cinematic indictments of the 1% that have flooded the multiplex in the wake of the financial crisis, Bennett Miller’s Foxcatcher stands as one of the most understated.
Read More“Tomorrow Night” is firmly in the makes-you-cringe vein of comedy of which “Louie” and “Curb Your Enthusiasm” would become exemplars.
Read MoreAfter 2010’s too spare “Three Stations,” fans old and new will find Martin Cruz Smith back in full form with “Tatiana,” creating a taut, subtle, often darkly funny and even moving tale.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner