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This recording of Jean-Baptiste Lully’s Psyché provides non-stop pleasure and delights, thanks to the latest developments in early-music performance practice.
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Allen Lowe is a saxophonist, composer, and historian of early jazz and roots music who doesn’t think he’s getting a fair shake from jazz’s gatekeepers.
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In her search for John Lennon, the author follows her fancy and picks and chooses which rocks she wants to look under, all the while giving herself the space to wax poetic on whatever theme moves her. It’s an appealing approach. Too bad then that the book is a let down.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MorePulitzer-prize winning journalist Lucinda Franks’s writing can be brilliant, deeply honest, and startling; other times superficial, sentimental, New Agey, or simply not credible.
Read MoreFilm critic Roger Ebert was a complicated man and this documentary does a superb job of exploring his different sides, detailing the evolution of his personality over the decades.
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This is a conductor and ensemble that have the measure of Max Bruch’s style and voice well in hand.
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Three recordings that testify to the chameleonic power of the (usually) avant-garde pianist Matthew Shipp.
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Like Breaking Bad, El Camino subtly suggests that justice is a relative concept.
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Classical Music Commentary: Boston Symphony Orchestra’s 2018-19 Season Announcement
The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.
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