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The snow is gone, daffodils are coming up in Central Park, and there are terrific shows in all of the major New York museums. The three I saw—at the Guggenheim, the Neue Galerie, and the Whitney —all draw on the early part of the twentieth century when artists in Europe and the United States were…
Read MoreFor a long novel, City on Fire is generously accessible and one of its strengths is in its absorbing, immersive momentum.
Read MoreSylvain Chomet’s sublime 2004 feature is a shimmering, knowing homage to the beginnings of sound animation.
Read MoreChance’s The Big Day beautifully blends authentic passion with superior talent and special guests with star power.
Read MoreThe Lyric Stage production of Anna Christie does right by Eugene O’Neill’s brilliance.
Read MoreIndo-Pak Coalition’s energized music and performance somehow manages to square the circle — it is as engaging as it is songful and intelligent.
Read MoreNazareno is bright, often joyous, and easy on the ears. That ought to count for something.
Read MoreFor fans of novellas, Filthy Rich will be a trashy guilty pleasure.
Read MoreThe Boston Artists Ensemble performance was full of bravado, virtuosity, subtlety, and charm.
Read MoreWhat percentage art? What percentage terrorist attack?
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues