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That Shostakovich left such a musical testament is, in its own way, miraculous; and it continues to speak to us with immediacy and power.
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A renowned 18th-century master struts his stuff, helped by a skillful young Italian tenor, in an opera first performed in Russia.
Read MoreBoston’s visual art ethos has been painfully safe and systemically non-experimental. Thankfully, that is beginning to change.
Read MoreNew CDs from three outstanding musicians: pianist Kristian Bezuidenhout, violinist Arabella Steinbacher, and cellistMaya Beiser.
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“‘Rightsism’ gives judges much more power than they deserve in a democracy,” Jamal Greene writes. “When U.S. judges face a conflict of rights, they cancel one right or the other.”
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Jesse Colin Young’s best material is worthy of favorable comparisons to Tom Rush, Gordon Lightfoot, and the unrelated Neil Young.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Dramatist Rajiv Joseph probes the gentle sides of masculinity as well as the intertwined power of beauty and terror.
Read MoreLeonard Bernstein was the most charismatic conductor of the last century. Gustavo Dudamel is the most charismatic of this one – and is likely to remain so for a long time to come. By Caldwell Titcomb In the arena of classical music, the world’s most exciting personage continues to be Gustavo Dudamel, the dynamo from…
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues