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Rachel Hadas’ poems present deceptively calm surfaces, like a lake that hides its rich inner life beneath bright reflections of clouds and blue sky.
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Two upcoming releases of restored radio broadcasts offer so much good listening and so much deeply satisfying jazz that they deserve to share the spotlight. One of them is destined to be seen as a landmark document in jazz history.
Read MoreOn Friday, three experimental artists offer a sneak peek at their work together to date, with the addition to excepts from more finished pieces.
Read MoreWhat does not kill me, makes me stronger. — Friedrich Nietzsche The internet is always an unpredictable neighborhood and sometimes a rough one. The Arts Fuse website crashed (but did not burn) yesterday; after a long day and a half, we’re back up and running smoothly—better and more resilient. The cause of the crash remains…
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Taken together, the selections on Attacca Quartet’s latest release is something of a meditation on the human condition.
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A captivating world-premiere recording of a work by the 21-year-old who would later conquer the operatic world with “Les Huguenots” and “L’Africaine.”
Read MoreIs “Her” exploring truths about romance and emotional need? Or is this a creepy look into how far we’ve surrendered to the infantilizing embrace of technology?
Read MoreWhile I’m not necessarily sold on this particular interpretation of Mahler Symphony no. 1, it was a thoughtful reading led with conviction; conductor Ludovic Morlot drew a committed performance from the BSO, and that counts for something.
Read More“Return to form” is a little too easy, but if you miss the “old” Travis, then the new album, Where You Stand, is the one you’ve been waiting for.
Read MoreBy planning ahead, and purchasing one flexpass, I was able to see a trio of plays in New York during a single weekend for well under $200 — a bargain price for world-class theater productions.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues