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Alice Rohrwacher’s film, which won the Grand Prix at the 2014 Cannes Film Festival, is a rarity — it is genuinely magical.
Read MoreIn Available Light , Lucinda Childs’ dancers execute a series of movement phrases which to a viewer may seem simple, but in fact require intense focus and control on the dancers’ part.
Read MoreTwenty Looks has put a lot under its belt since Trajal Harrell began his research. It’s bigger now, but I’m not sure it’s any more profound.
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Richard Muti draws playing of full-blooded passion from Chicago Symphony Orchestra, Thierry Fischer conducts Camille Saint-Saëns with a sure hand, and violinist Tasmin Little’s new recording of neglected violin-and-piano pieces by mid- and late-Romantic women composers is terrific.
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Max Bruch’s music is smart, strong, crafty, and, often, quite endearing.
Read MoreThe throughline of “Town and Country” is folk — austere, hardscrabble.
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Considering how dark 2020 is, it is a good time for a lighthearted remembrance of things past, before the pandemic.
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Strange Hotel focuses on a woman’s life in middle age, suspended between the hollow satisfactions of memory and anxiety about the future.
Read More“Gonna Make a Record in the Month of May” — May 2013 and Why This Year Already Beats 2012
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues