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Conductor Yannick Nézet-Séguin does dazzlingly right by the symphonies of Mendelssohn.
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One reason Fred Waitzkin’s work, outside of Searching for Bobby Fischer, is not as well known as it might be is that it doesn’t respect time-honored boundaries between fiction and nonfiction.
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Channeling equal parts Lucinda Williams and Levon Helm, the album features Robin Lane’s rich, earthy voice supported by sparse instrumentation.
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Wynton Marsalis’ Swing Symphony is his third effort in the grand form.
Read MoreWhatever its flaws, Sicario goes a long way to informing us of what’s happening just south of the border — not driven by illegal immigration, but by American drug lust.
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Author Claire Kohda is particularly deft at illustrating how unacknowledged desire will out, undermining our best intentions.
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Films like Breaking Fast introduce audiences to cultures that they may not be familiar with — that they may even be hostile to — but through conflicts and dreams that are universal, that revolve around family, love, and friendship.
Read MoreMark Lilla argues that the creed of the reactionary mind can be just as radical (and disturbing) as any revolutionary ideology.
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Florence Price’s voice and the richness and complexity of an almost-entirely neglected body of symphonic music by Black American composers can be heard in this excellent recording.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues