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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Exciting new LPs from two leading practitioners of post-rock — Thee Silver Mt. Zion Memorial Orchestra and Have a Nice Life.
Centered on the acting talents of the late Tuncel Kurtiz, the film is a ribald, engaging, and briskly-paced concoction of improvisation and folklore.
Leann Osterkamp’s playing is rhythmically alive and sympathetic to Leonard Bernstein’s style; Seong-Jin Cho shows that he is an important pianist to watch.
Like all accomplished directors – and architects – Brady Corbet has orchestrated a team of outstanding collaborators into shaping his vision.
Cecile Desprairies’ extraordinary work is a cross between the dispassionate inquiry of a historian and a family memoir whose author is searching for catharsis at the end of her attempt to understand her family’s place in the Nazi-collaborationist narrative.
As a work of history, a journalistic account, and an astute study of a troubled subculture, Altamont is so engrossing that it almost disarms criticism.
Dedicated to experimentation and creative collaboration, Promises delivers an otherworldly, dreamlike experience.
Even without museum commentary, Native Fashion Now is an important show – visually, socially, and politically.
Bruno Dumont has always been a divisive filmmaker, drawn to provocation, and the wacky sci-fi parody of the comedy-drama “The Empire” has proven to be no exception.
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