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Theater Commentary: Horovitz and Sexual Harassment — Why Did it Take Over 20 Years?

December 12, 2017
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Does anyone really believe that there is no sexual harassment going on in Boston area theater companies today?

Jazz CD Survey: Snapshots and Concepts, Summer 2018

July 21, 2018
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A baker’s dozen of recordings worth hearing . . . maybe even owning.

Theater Feature: Tennessee Williams Theater Festival 2013 — An Exemplary Year

October 8, 2013
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Tennessee Williams was a prolific writer, and each season the Festival presents an unfinished play or little known work from his vast canon.

Book Review: “Our Lady of the Nile” — Prefiguring Rwandan Genocide

August 26, 2014
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Because of the national tension between the Tutsis and the Hutus, and its effects on everyday routines in the school, this novel cannot long remain a bemusing tale of adolescent life.

Commentary: Best and Worst Classical Recordings of 2018

December 29, 2018
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Our critic’s year-end tally of the classical albums that, in looking back over 2018, stand tallest – plus a few that didn’t make the bar.

Classical CD Reviews: Mozart’s “Haydn” Quartets and James Gaffigan conducts Dvorak (Harmonia mundi), plus James Brawn plays Beethoven (MSR Classics)

July 9, 2014
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Cuarteto Casals brings out Mozart’s playfulness, Luzerner Sinfonieorchester delivers a solid Dvorak’s Sixth, and James Brawn continues to brilliantly play Beethoven’s piano sonatas.

Jazz Album Reviews: Moppa Elliott’s New Recordings — His Most Sincere Efforts to Date

March 20, 2024
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Moppa Elliott makes eminently approachable music at a very high standard, with great ingenuity and sophistication. He has proven himself to be one of the most inventive and creative composers for small jazz ensemble since Charles Mingus.

Rock Album Review: The Tedeschi Trucks Band’s “I Am The Moon” — Nothing If Not Ambitious

May 30, 2022
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Crescent gives us the first five songs of the I Am The Moon suite and runs about 35 minutes. Let me rephrase that: it runs about 35 perfect minutes of music.

Jazz Review: Jazz Superstar Esperanza Spalding Thanks October

October 6, 2014
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Esperanza Spalding is not simply beyond reproach – she is a young lioness the likes of which the jazz world has really never seen before.

Fuse Dance Book Review: “The Ballet Lover’s Companion” — One Way of Looking at it

July 22, 2015
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Zoë Anderson’s volume aims to give readers a handy way to discern the most influential ballets from among the confusing proliferation that we find in today’s repertory.

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