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With Richard Davis, director Ramin Bahrani found an old-fashioned fraud, a paunchy American grifter worthy of a story by Mark Twain.
This isn’t so much a movie as it is a micro-budget prank, and I must respect the hustle Dasha Nekrasova is pulling here even if it’s not in good taste.
An exciting, subversive idea animates TJ Loves Sally 4 Ever.
By Gary Schwartz Is there or is there not such a thing as “the Dutchman?” My fellow immigrant Princess Maxima thinks there is not, but since she dared express that opinion in public last September, she has been subjected to an ongoing barrage of reprimands. Indeed, since the brief era of Pim Fortuyn, public discourse…
Among the three CDs reviewed is a particular treat — a new recording that really, truly matters.
Getting to know the Composer Chair of the Boston Symphony Orchestra, the first composer of color to have a comprehensive long-term relationship with the BSO.
Sultan has a solid lock on my year-end best of 2022 list. Let’s make the world a little smaller and make this album a hit.
Robert S. Neuman used modernism’s interest in abstraction and material accident to shape lively compositions that riffed on urbanization, biblical themes, war, the space race, indigenous rights, mental illness, and other topics.
“Howl” was one of the hardest things Black Rebel Motorcycle Club has ever made. We knew weren’t going to make another album like it unless the spirit really demanded the songs — it raised the bar rather high.
Gounod was no mere purveyor of gentle sentiments. This 1881 opera, superbly performed, shows plenty of drama and grit.
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