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A quartet of films whose topics range from modern love and protecting animals to family dysfunction and a who-done-it with a vintage doll detective on the case.
March is a month to hear amazing pianists – Jeremy Denk, George Li, Charlie Albright, Jeffrey Swann, Wu Han, and Lydia Artymiw – as well as inspiring choruses and unusual chamber music
Boston’s biggest outdoor jazz event has more of a local focus his year—hardly a problem, given the wealth of talent connected to Berklee, NEC and other institutions.
The first Broadway revival of this challenging 2004 musical makes a sincere but ultimately unpersuasive case.
Some of the jokes in “2 Pianos 4 Hands” reach fairly deep into an understanding of how classical music works and is taught; other jokes will be recognizable to anyone who has taken piano lessons or raised a child to do so.
Sharp, simple, and well-attuned to the hopelessly grim tenor of these past few years, The Beach House knows how doomed we all are, says we deserve it, and prays that, after the tide comes in to wash us out, the rest will be left to flourish.
This strange year became, for this opera lover, a chance to explore new—or even world-premiere—recordings of little-known repertory. When musical life returns to semi-normal, perhaps we can be treated to live performances of some of these amazing works.
If George Clooney can rev up our righteous indignation decrying the barbarities of Joe McCarthy, why on earth couldn’t he become eloquent when it comes to talking about fighting to keep Hitler’s mitts off Michelangelo?
Why did Chester Theatre Company’s Artistic Director Byam Stevens choose such a banal, lazily-written play with no drama, no development, barely any interesting language, and none of the wit, charm or whimsy I’ve come to associate with this stage company?
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