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Many of the pieces in the collection come in the form of a personal diary, and these give us a sense of the day-to-day inner lives of the prisoners.
Bros jokes about the hypocrisies of corporate diversity — often accurately, and with a cutting edge — while embodying some of the same problems.
Dan Callahan has crafted an entertaining and illuminating guide to understanding Hitchcock’s relationship with some of the most iconic actors of the day.
On the occasions that Bob Weir and Phil Lesh performed as a legitimate duo the concert attained some of its more transcendent peaks.
Fear Inoculum is not a bad album. It’s not a great album either, and Tool has made some great albums.
In a culture that seems hell-bent on distracting us from painful realities, the intimacy of this production comes off as redemptive and inspiring.
More pithy reviews of Boston Jewish Film Festival fare, including some reflections on entries in the Short Films Competition.
“Tokenism also plays into this issue. Some companies are hiring one dancer of color and they think they’ve done diversity.”
X is simply too good to turn into a travelling punk museum
Author Reconsideration: The A, B, and C of Sue Grafton
The conveniently tidy endings do turn killing into an entertainment. They also allow us to briefly believe in redemption. And that is not the vainest of hopes.
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