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It’s good to hear the Basie band stretch. But it’s even better to hear them exult the blues with their own time-honored style leading the way.
Read MoreFred Turner’s counterintuitive and subtle argument in The Democratic Surround draws a direct line between the design of museum exhibitions and the Be-Ins of the Summer of Love.
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While The Assistant’s scenario alludes to Harvey Weinstein, the problem is systemic in the entertainment business and probably many other workplaces.
Read MoreEach of the paintings in Anne Leone’s Cenote Series shows the water’s surface, always from below. The world of air is invisible to us, off limits, mysterious. This membrane between worlds appears closed, but is easily pierced by the swimmers, resealing itself each time they rise and plunge.
Read MoreGuitarist Jon Fine’s memoir is an intriguing blend of history, sociology, entertainment, and a healthy dose of after-hours pulp.
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Despite a seven-year record of artistic, social, educational, and organizational success, Junior Programs has, until now, been a forgotten chapter in the history of America’s children’s theater. And we desperately need to remember that chapter now.
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You want horror? This month Criterion Channel serves up plenty of cinematic chills, vintage and otherwise.
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Among the usual suspects and idiosyncratic specimens, a handful of landscape paintings, prosaic portraits, and transcendent abstract works defy watercolor’s association with lightheartedness.
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Arts Remembrance: Appreciating Robbie Robertson
Robbie Robertson was born and raised in Canada but he seemed to understand the American myth better than most of his southern neighbors did.
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