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Mikita Brottman gets raw, often very funny, and unexpected responses to the masterpieces she puts before her prisoners.
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As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Erich Maria Remarque’s 1929 novel of an ordinary soldier’s life in the trenches of WWI remains shocking and shattering today.
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Two stylistically different films in which workers are exploited and empowered.
Read MoreBoth productions play around with chronology in order to show the dark side of history, to unmask convenient illusions of social or personal well-being by juxtaposing the myopia of the past with the payback of the future.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreEllen Taaffe Zwilich has an uncanny understanding of what instruments can do and how to showcase them best.
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This film offers a much more nuanced and self-reflective conversation about authorship, authenticity, creative inspiration, and the role of film criticism than any of its detractors are willing to admit.
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Once again, here was the shock in Cécile McLorin Savant’s subversive conceptual daring.
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