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Perhaps in the future Michelle Hoover will let her very real talent take her into the unknown, where narrative and myth merge.
An Arts Fuse regular feature: the arts on stamps of the world.
It’s hard to pick favorites, but here are my top films from this year’s London Film Festival.
By opting to set Figaro as a straight comedy, Cucchi’s production glossed over the opera’s subversive edge.
For those seeking adventure away from cookie-cutter arena rock, Phish still fit the bill.
Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
The new musical by Jeanine Tesori and David Lindsay-Abaire is a show that everyone who believes in the artistic future and emotional power of the American musical will want to see.
Lila is an ambitious book that is deeply flawed and not nearly in the same class as Marilynne Robinson’s Pulitzer Prize-winning novel Gilead.
Four features and one short that explore aspects of Jewish history from its impact on the earliest origins of the United States to the ongoing struggles of the state of Israel.
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