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The problem with “The Life of Chuck” isn’t that it’s bad, per se, but it’s nowhere near great, and that’s a waste of a lot of talent and potential. Imagine Terrence Malick’s “Tree of Life” turned into a made-for-TV after-schoolspecial.
In its celebration of current-day Black culture, and of the vitality of Black youth, The Inheritance is an optimistic work.
In our politically correct times, the temptation would be to make a simplistic film in which Sandra, the good Black woman, is beset by bad white people.
If Boy George had carried on in this vein — working the best of the old in with the new, and keeping the soul roots upfront — the night would have been a surprise triumph.
“Hollywood’s Imperial Wars” is at its best as a bold and informative survey of the movies that the studios felt it was “credibly possible” for them to make after Vietnam.
An Arts Fuse regular feature: the arts on stamps of the world.
We are understandably upset when market forces threaten the things we consider to be sacred.
Earwig taps into a diabolical Freudian cabinet of uncanny curiosities and symbols.
Given all the terror and brutality we have lived through just in the thirteen years of this new, 21st century, the story of people running drugs back in the ’70s doesn’t seem to have much urgency.
Digging Up Mother: A Love Story is Doug Stanhope’s disarmingly funny, unexpectedly sweet memoir.
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