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“I’m going to be 80 in October, and what a way to spend your 80th year on the planet, to be able to go out and do rock ‘n’ roll shows everywhere!”
Read MoreThe Feast isn’t coherent enough to go toe to toe with modern folk horror heavyweights, but it’s an admirable entry in the canon.
Read MoreThe perversity of The Handmaid’s Tale oppressive allegory lends itself well to opera, and Boston Lyric Opera makes the most of the material’s emotional heights and depths.
Read MoreHilbig’s prose demands sentence-by sentence commitment. It gravitates to the dark and dense, and occasionally surreal.
Read MoreArts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
Read MoreViolinist Lea Birringer’s performance of the Christian Sinding selections are impressive. Her Mendelssohn Violin Concerto, though, is missing drive, excitement, and passion.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreChameleon Arts Ensemble’s program, “into unison with romantic spirit,” contained more rarities than many chamber music groups perform in a season.
Read MoreToward the Unknown is a well-wrought, well-rendered recording — one worthy of serious attention.
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