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Moving restlessly between independence and interdependence in style and content, the lecture captures the changeling quality that Gish Jen associates with those who must creatively manage multiple cultural influences.
Salome is not the only strong opera based on an Oscar Wilde play. This one-acter by Zemlinsky deserves a place in the repertoire today.
Here are two new and very different records from virtuosos of the jazz harmonica, both seasoned pros, and one of them deserving of much wider recognition.
“I’m going to be 80 in October, and what a way to spend your 80th year on the planet, to be able to go out and do rock ‘n’ roll shows everywhere!”
The Feast isn’t coherent enough to go toe to toe with modern folk horror heavyweights, but it’s an admirable entry in the canon.
The perversity of The Handmaid’s Tale oppressive allegory lends itself well to opera, and Boston Lyric Opera makes the most of the material’s emotional heights and depths.
Here is what I learned from watching the film Peace, Love, and Misunderstanding: Boomers are being sold down the river.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Once much-performed, then banished from the stage by the Nazis, The Miracle of Heliane, now available in a fine new recording, is perhaps the best opera by the man who would become one of Hollywood’s leading composers.
Book Review: “Hope in the Dark” — An Homage to Community
Now, more than ever, It’s worth being reminded of our natural potential for good.
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