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“If you’ll excuse me for being cheeky, it’s a collaboration between the players on stage and Beckett’s works.”
The Velvet Queen, elegantly directed by Marie Amiguet and Vincent Munier, is a vivid chronicle of an arduous journey, old-fashioned but visually high-tech.
Violinist Regina Carter and her band drew the audience in with a sustained mood of intimacy, warmth, and unfailingly beautiful playing.
Yes, Newport Folk’s all about the music, but there’s also a collaborative heart at work — and virtual programming spurred donations for the non-profit’s mission to endure.
An Arts Fuse regular feature: the arts on stamps of the world.
This exciting look at Shakespeare’s tragedy is a decidedly gothic affair.
Love for Nanci Griffith has empowered a hell of a record.
With Nightmare Alley, Guillermo del Toro once again proves to be an unparalleled cinematic visionary whose commitment to craftsmanship continues to amaze.
For all its bite, Fall is oddly endearing, too, leavening its harsh portrait of money-madness with aw-shucks moments of solidarity and kindness.
David Treuer’s expansive new history of native America from 1890 to the present looks with skeptical, Indian eyes from inside simplistic American symbols and narratives.
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