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“You can be certain that when the show begins and you hear “Mack the Knife,” the choreography will suggest scenes of slashing and murdering.”
Theater Feature: Northern Stage Announces Winners of $1.25 Million Grant to Support Women in Theater
According to Wellesley Centers for Women study, women hold only 20% of the artistic leadership positions in America’s regional theaters.
The Lyric Stage actors and pianist Catherine Stornetta do an excellent job making all of “33 Variations” intelligible and, sometimes, very funny.
by Bill Marx Posthumous publication of a book by a great but grievously neglected writer gives posterity a chance to either rectify its mistake or compound it. The recent appearance in the “New Yorker” of a previously unpublished Janet Frame short story, which was deemed to be “too painful” for print in 1954, has generated…
Perhaps more impressive — though too late to evolve further given the group’s impending finale after eight years and more than 200 shows — was the growing roles and comfort level shown by Dead & Company’s younger charter members.
Amanda Kramer’s created a thoroughly campy and celebratory ode to queerness that stands as both a timely political statement and a genuinely well-crafted piece of independent filmmaking.
It was particularly delicious to see George Washington get his comeuppance.
“It’s Fine By Me” is the story of so many lost boys in literature, who run, who rebel, who are crushed, or luckily find their way.
Though the last presidential race has faded into a memory, two recent albums from singer-songwriters bring subtle artistry to simmering political anger and alienation. Pierce Woodward, “Blow Them Away” (Long Run Music); James McMurtry, “Childish Things” (Compadre Records) By Danielle Dreilinger A year ago, folk stages were filled with artists like Steve Earle urging people…
Jackie suggests that, whatever the White House may see in the future, her magic will still be felt in its opulent halls.
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