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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Four films at this year’s Provincetown International Film Festival shared the theme of face-to-face communication, exploring the pleasures and pitfalls of encounters unmediated by screens and phones.
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Perhaps more impressive — though too late to evolve further given the group’s impending finale after eight years and more than 200 shows — was the growing roles and comfort level shown by Dead & Company’s younger charter members.
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Amanda Kramer’s created a thoroughly campy and celebratory ode to queerness that stands as both a timely political statement and a genuinely well-crafted piece of independent filmmaking.
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It was particularly delicious to see George Washington get his comeuppance.
Read More“It’s Fine By Me” is the story of so many lost boys in literature, who run, who rebel, who are crushed, or luckily find their way.
Read MoreThough the last presidential race has faded into a memory, two recent albums from singer-songwriters bring subtle artistry to simmering political anger and alienation. Pierce Woodward, “Blow Them Away” (Long Run Music); James McMurtry, “Childish Things” (Compadre Records) By Danielle Dreilinger A year ago, folk stages were filled with artists like Steve Earle urging people…
Read MoreJackie suggests that, whatever the White House may see in the future, her magic will still be felt in its opulent halls.
Read MoreTwo fine new plays in New York meditate on dealing with mortality.
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner