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Once again, Billy Strings pulled an exhilarating assemblage of musical influences under a big tent.
The sophomore season of the Apple TV + hit comedy is even more winning than its first.
Climax may be the director’s most fully realized attempt so far to suggest a state of madness onscreen.
Under the baton of its Artistic Director, Susan Davenny Wyner, Boston Midsummer Opera has become an annual highlight of Boston’s classical music line-up during the summer.
This “Rocky Horror Show” for the Gen Z set contains (at least potentially) enough flash and zap to successfully put across a new take on a campy cult classic.
A brilliant new novel explores how the search for his family’s fate during the Holocaust nearly costs a man his sanity. “Götz and Meyer” by David Albahari. Translated from the Serbian by Ellan Elias-Bursac. (Harcourt, 176 pp., $23) By Tess Lewis “We need so little to imagine another world, don’t we?” asks the narrator of…
Chinese-American composer Lei Liang’s eclectic collection of ten thematic tracks could pass as a soundtrack to an artistic, surrealist film or an intense, psychological drama.
Time and again, Alice Fogel’s poems’ subtractions have a purifying effect, showing us a landscape or an architecture we hadn’t guessed was there.
The renowned duo of Jay Ungar and Molly Mason perform what has been called American Roots music. But they’ve also been known to include traditional folk and ’40s jazz.
In his best screenplays, Graham Greene explored the idea of the protagonist as anti-hero well before it became a popular trope in the 1950s and ’60s.
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