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What makes The Traitor ultimately worth watching is its epic sweep, the deft way director Marco Bellocchio and his below-the-credits team carve out the dramatic highlights of Italy’s twenty year war with the Cosa Nostra.
Read MoreAnne Curry’s purpose is not merely to act as a military analyst, but to explore the long cultural history of the battle’s meanings in subsequent British history.
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As a vision of gay bonding, The View UpStairs exudes a wonderful in-your-face spirit.
Read More“I like singing live; I try to sing well live, I try to prepare myself for the audience, for that room. And I care a great deal about singing live, because I think that’s the experience of jazz. Even if I’m singing Brazilian music.”
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Filled with B-movie puppet antics, “Frankie Freako” is a joyous throwback to the days where you could walk into a video store and rent one of a dozen Gremlins rip-offs about someone’s mundane suburban life being upended by a bunch of little guys.
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“Resistance is futile. But resistance seems necessary.”
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Projects such as Birthright: A Black Roots Music Compendium extricate the resilient voice of the people from the cacophony of current ideological intervention.
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All of Shirkers demonstrates the wonderfulness of making cinema. I Am Not a Witch dramatizes the mystery and solidarity of accused witches.
Read MoreThe centennial of the author of Make Way For Ducklings is being celebrated with a series of lectures by scholar Leonard S. Marcus.
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The 17th Annual Francis Davis Jazz Poll — My Poll Without Me
This most recent poll also proves the worth of the poll itself — that it doesn’t so much confirm consensus as create it.
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