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call it, jokingly, the Boston Rock Love Fest, but it really is!” exclaims Rumble organizer Anngelle Wood.
The theme of fading passion would have been enough. It is the theme of many a love story. It would have been enough for this chess story. But author Robert R. Desjarlais won’t let it be enough.
Music Director Martin Pearlman had the excellent idea to cut out 6 of the 24 arias to make Jephtha move along, and it paid off.
Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.
Death, starvation, futility, revolution, exploitation — no wonder The Weavers is never produced in the land of plenty.
The Boston Lyric Opera’s production was a reminder that Puccini’s score is sure to stand the test of time, even when valiant attempts to make the opera’s storyline more palatable fall short.
Singer Fred Farell brings an introspective sensibility to this album and has gathered a group of songs that are appropriate for his introverted and quietly aspirational lyrics.
Against White Feminism is an informative and thought-provoking read for all feminists.
The weight of the masterpiece on the other side of the kitchen door is ever-present, and it casts a smothering shadow on this lighter drama.
Film Commentary: “Everything Everywhere All at Once” — The Most Serene Movie in Years
This movie reminds us that — if there is any meaning to life at all — it’s what you bring to it, not what it brings to you.
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