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An Arts Fuse regular feature: the arts on stamps of the world.
Read MoreCassandra Speaks is yet another dazzling vehicle for actor Tod Randolph, who excels in etching brilliant stage portraits of famous, complicated women.
Read MoreArtist Michael Lewy’s comprehensive, clever and surprisingly humorous take on an imaginary experimental settlement explores the ramifications of having human potential promptly assessed and harnessed for work, and work alone.
Read MoreThat this assemblage works so well is a tribute to the big ears and hearts — and collective intelligence — of all the players here.
Read MoreIt cannot be said that the average Omani was waiting for an exhibition of Rembrandt etchings. By Gary Schwartz “Frankincense from Oman and paintings by Rembrandt were both part of the good life in the 17th century.” That unlikely quotation is from the script of a film that I wrote and presented this summer to…
Read MoreIn “Drive,” director Nicolas Winding Refn crafts a cool, tight and stylish film that gets away with a lot. He managed to make a movie that works as some kind of bizarre but wonderful Michael Mann/Jean-Pierre Melville/Quentin Tarantino mash-up, helmed by star Ryan Gosling, who described it as a “violent John Hughes movie.”
Read MoreArts Fuse critics select the best in dance, music, film, and theater that’s coming up this week.
Read MoreWhile American art grew bolder, larger, louder, and more ironic, David Aronson was mystical, introspective, and poetic.
Read MoreTwo new picture books offer a refreshing use of not-so-typical endings.
Read MoreThe pleasures of Joni Mitchell: In Her Own Words are the pleasures of being a fly on the wall.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?