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If dancing around as a giant CGI monster makes someone happy, then that is enough to make me happy. Let’s embrace what makes us different and do what we love. Read More
You want Baroque energy and Early Classic poise? Here’s a first-rate recording of a one-act, one-singer opera by Telemann along with some of his imaginative orchestral works.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreThe emphasis isn’t on gratuitous sensuality: Gentleman Jack’s throes of passion are designed to reveal more about the psychological makeup of its characters.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More“To the End of the Land” is about the devastation of war, how war erodes the human spirit, yet how that spirit is far more resilient that we may have ever suspected.
Read MoreFilm historian Peter Cowie’s writing is always intelligent, if somewhat dry, and normally correct in its evaluations of Ingmar Bergman’s films.
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Holiday Commentary: Making Room for the Stranger