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Jennifer Bartlett’s fine biography is a capstone to a steady solidification of respect for this innovative poet’s art and legacy.
As with many horror and action films (and probably much of real life), the build-up is better than the eventual resolution/climax.
Now that he’s 70, it’s only right that guitarist John Scofield takes a victory lap with his first solo album.
“Cookin’ at the Queens” is an invaluable addition to the legacy of guitarist Emily Remler.
By Gary Schwartz This question was asked by a Dutch newspaper last spring. At the time I did not get around to answering it. What they were after were experiences related to the students and workers revolt in France and other revolutionary manifestations of the Spirit of 68. My first reaction was that I was…
Strawberry Mansion‘s biggest asset is that it employs so many different artistic techniques to create a world as wildly inventive as it is heart-achingly sincere.
I wanted to like Sunset Song, steeped as it is in Scottish history and scenery.
With the “Fireside Sessions,” Tedeschi and Trucks have found the perfect online format for showcasing their attention to detail, nuance, and craft.
An Arts Fuse regular feature: the arts on stamps of the world.
Music Commentary: In Memoriam, Seiji Ozawa (1935-2024)
Taking in the totality of Seiji Ozawa’s life and career, it seems clear that Boston got him in his prime and that he largely returned the favor, ingratiating himself with the community, at times truly elevating the BSO while conveying a lot of joy and energy in the process.
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