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Rickman was that rare actor whose low-key intensity was punctuated with just enough hilarity or insanity to make his characters unforgettable.
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Jennifer Bartlett’s fine biography is a capstone to a steady solidification of respect for this innovative poet’s art and legacy.
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As with many horror and action films (and probably much of real life), the build-up is better than the eventual resolution/climax.
Read MoreGöran Rosenberg has written a calm yet passionate account of events after Auschwitz, a memoir marked by great intelligence and equally great emotional intensity.
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Beyond Utopia is a grim reminder that, against growing odds, people keep leaving North Korea, or try to. It may be a while before another family agrees to film the journey out.
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“The music I really respond to is by artists who have in some way captured a moment in an evocative way, a universal truth, something that feels honest and real. That’s what we try to do.”
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Strawberry Mansion‘s biggest asset is that it employs so many different artistic techniques to create a world as wildly inventive as it is heart-achingly sincere.
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Yes, the first-ever recording of a opera that is as wonderful as Berlioz and Wagner said it is.
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Closing out coverage of the London Film Festival: films from Catherine Breillat, Michael Winterbottom, Luna Carmoon, Robert Morgan, and Daniel Kokotajlo.
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With the “Fireside Sessions,” Tedeschi and Trucks have found the perfect online format for showcasing their attention to detail, nuance, and craft.
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Holiday Commentary: Making Room for the Stranger