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The Anonymous 4 went through their medieval and early Renaissance paces, vibrato-less but historically informed and performed.
Read MoreFrom the Berkshires to Cape Cod, and with a major stop in Beantown, Massachusetts is the place to be for the autumn jazz festival season.
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Panah Panahi’s film is a powerful ode to the will to escape a restrictive society — and to tell stories.
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The documentary supplies plenty of deserved admiration for its haggard but gentle subject, but it doesn’t tell us enough about the enduring value of Kurt Vonnegut’s writing.
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Luna Nera is mainly produced and written by women and proffers a satisfyingly feminist, woman-centric aesthetic — as witch narratives seem to do more and more these days.
Read MoreRevving up marketing machinery raises some uncomfortable questions: Why should donors give funds to a theater if their money is going to pay for focus groups and demographic studies rather than to support the work of artists?
Read MoreArts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
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This is one of those 75-minute plays where you have to remind yourself to breathe.
Read MoreRonan Noone’s allegedly frisky sex farce is bloodless.
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Refugee: A Memoir was not written to entertain but to outrage and activate.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler